A heart in a Lao kip, a one buck bird, or a butterfly in a 10 yuan note.
Tine De Ruysser makes origami jewelry made out of particularly precious paper… or is it? Having studied both at The Royal College of Art in London and The Royal Academy of Fine art in Antwerp, Tine De Ruysser has made a collection of jewelry entirely out of money, bank notes from all over the world. This creative process makes the money a commodity in itself. The notes are carefully folded, and made into a broach using a magnet: the notes are never torn, glued or defaced in any way… so should you ever want to actually spend the money, you can.
We’ve included here part of the artists statement, to explain her idea behind the project.
Tine De Ruysser Statement:
“A jewellery collection made wholly from banknotes. All banknotes are valid currency at the time the jewellery is made. The banknotes are only folded and not damaged in any way: no cutting is used, nor is any glue applied. Each note can be unfolded and used as currency. The jewellery is surprisingly strong; it does not tear easily or fall apart quickly. Some countries (like Australia) use polymers (plastics) rather than paper to make their bank notes; in that case the jewellery is even waterproof. But in the end the pieces are just origami. They do need to be handled with care.
For this collection I considered money to be like gold. After all, paper money came into existence because people did not want to carry their gold around when travelling, mostly for safety reasons. When “paper money” was first used it was backed up by a gold reserve: there was no more money printed then there was gold in the bank. Money was worth gold. Through time the connection between money and gold has become less transparent. The relationship has almost turned around: now gold is worth money. There is much more money around than there is gold to back up its value.
Gold jewellery can be worn to show how wealthy the wearer is, or as an easy way to keep one’s worldly possessions within reach at all times. Similarly, wearing money around one’s neck shows one’s wealth. Even though the banknotes are folded so one can never see the whole note, they are still clearly recognisable as money. It is hard or impossible to see the value of the notes though, like it is difficult to judge what carat gold was used for a piece of jewellery. In both cases different colours can be chosen.
When the wearer is in financial difficulty, gold jewellery can easily be sold, exchanged for money. Money jewellery can easily be dismantled into its component banknotes. Both for gold jewellery and for money jewellery you pay more than the pure value of the materials when you buy the jewellery because the jewellery maker and gallery owner have to make a living from their work.
The value of gold changes on a daily basis, it depends on supply and demand and the stock market. Likewise, money changes value when compared to other currencies and gold on a daily basis.
When I make jewellery from valid banknotes, it is like making gold jewellery: everyone can see that the jewellery is worth money. The jewellery is pretty, and comes in a variety of shapes, sizes and colours. The price changes accordingly.
The whole gold-money concept seems to be given some extra depth in the light of the current economic crisis. Banks have gone bankrupt because they were dealing in virtual money that had little to do with gold values backing it up, or even with the amount of paper money in circulation at the time. They are not to be trusted by savers or lenders. Why not go back to traditional values, and wear your wealth on your body so you don’t lose it? With exchange rates changing fast this is as much of a gamble as wearing gold or putting your money in the bank.”